Professional Editor, Writer, and Director.
Editing
I can take your raw footage or ideas and turn them into a finished watchable product. I handle structure, pacing, timing, and all the small decisions that make something actually land with an audience.
You keep creating. I handle the editing.
Writing
I can take your ideas and turn them into professionally structured scripts with clear story flow, strong pacing, and intentional beats. Whether it is comedy, commentary, or narrative driven content, I shape it so it is ready to be performed, filmed, or edited without confusion or guesswork.
You bring the idea. I build the script that makes it work.
Directing
I can direct your project from vision to execution, making sure performances, pacing, blocking, and tone all align with what the story is trying to achieve. I focus on getting the right energy out of each moment and making sure nothing feels flat, rushed, or unclear.
You bring the idea or script. I make sure it becomes a finished piece that actually lands on screen the way it is supposed to.
Check out my work below.
This is the level of creativity, care, and storytelling you can expect from me on every project. Whether I'm editing a YouTube video, shaping the vision of a pilot, or cutting a feature-length film, I bring the same commitment to crafting engaging, purposeful content that connects with audiences. No project is too big or too small. I approach each one with fresh ideas, strong attention to detail, and a deep understanding of pacing, narrative, and visual impact. My goal is always to elevate the material, strengthen the story, and deliver a final product that exceeds expectations while staying true to your vision.
Last Call Pilot
(2026)
Last Call (Pilot) follows Benji, a young man who stumbles into a mysterious bar run by the devilish bartender Lucious. With every drink, Lucious unleashes a surreal, alcohol-fueled story drawn from a warped version of Benji's past. As the rounds continue, Benji is forced to relive and reinterpret the choices that shaped his life through a series of increasingly intense emotional and psychological games.
As the creator and team lead behind this project, I directed the development of the pilot and oversaw its creative vision from concept to completion. While I handled the animation and editing, the stunning background artwork was commissioned from the talented artist Leporium (g.cerniauskaite5@gmail.com), and the rich voice performances were brought to life by the excellent Paul Casselle and Robert Cossyleon. This pilot represents the collaborative effort of a dedicated team working together to build the world of Last Call.
Star Wars: Bloodline (2025)
Bloodline is a condensed, high-intensity two-hour fan edit that fuses the Star Wars prequel and original trilogies into a single continuous Skywalker saga. The edit follows Anakin Skywalker's rise and fall, highlights Padmé's pivotal emotional influence on his decisions, and traces Luke's journey from isolated farm boy to fully realized Jedi who ultimately inherits and redefines his family's legacy.
The structure was carefully designed to emphasize cause and effect across generations, positioning Padmé as the emotional throughline whose influence continues to resonate long after her death, shaping the destinies of both Anakin and Luke.
As the sole creator of this project, I was responsible for every aspect of its development, including the creative direction, narrative restructuring, editing, and overall execution. The fan edit was met with an overwhelmingly positive response, amassing more than 30,000 views and earning praise for its streamlined storytelling, emotional clarity, and ability to present the Skywalker saga as a cohesive standalone experience. Many viewers cited it as an excellent alternative way to experience the story.
The production itself was a significant undertaking. A key objective was preserving the theatrical presentation of the films, which required sourcing unaltered versions that are no longer readily available in high definition. Through the efforts of the fan preservation community, original 35mm theatrical release prints had been painstakingly acquired and scanned, providing invaluable source material that helped make the project possible.
Ray Mag (2026)
Raymag is a comedy commentary YouTube channel where films are broken down through a mix of humor, sarcasm, and fast-paced editing. Each video combines movie recaps, reactions, and discussion, focusing on absurd moments, plot holes, questionable character decisions, and unintentionally funny scenes.
As the sole creator behind the channel, I was responsible for the editing, pacing, comedic timing, and overall presentation of each video. The content is designed to feel like watching a movie with friends, prioritizing natural conversation, improvisation, and group chemistry over traditional film criticism.
Request Anything.
Request any post-production service, including compositing, motion graphics, visual effects, color grading, and video editing. Whether it's a quick edit or a full-scale production, professional creative solutions are available for projects of any size.
Initiate a Project.
Submit your objectives, timeline, and background to receive a tailored service proposal.